martin0reg
Printer Master
If there are more missing nozzles instead of less on the nozzle check print, and if they are not the same, then it's often not a clog but bad inkflow or more precisely air instead of ink, from bad sealing anywhere in the system, or from a bad cartridge. But if you are still on OEM carts this would be a surprise because these are very reliable and epson claria is one of the most stable dye inks you can use (tested and prooved by wilhelm and aardenburg). Anyway shit happens, and cleaning cycles with OEM ink are not cheap.
Regarding longevity some very general findings: pigment ink is more stable than dye, and 3rd party pigment ink is way more stable than 3rd party dye. Because 3rd party dye ink use to fall behind OEM dye more than 3rd party pigment. But there is at least one dye ink which comes very close to epson's dye: the fuji DL ink in large cartridges for DryLabs, extensively tested in the quoted extensive thread.
And you beautiful illustrations are showing, what I know from my own experience: printing on uncoated paper (wthout inkjet coating), can be really nice. And pigment is not better than dye on such paper, in fact the paper choice is easier with dye ink. You have to experiment with different watercolor art papers, jtoolman once used an uncoated sort from canson, i found a watercolor paper from "boesner" (guardi artistico 250g, very stiff, too stiff for some standard paper feeds..)
With uncoated (art-) paper you will not have the full resolution and the contrast can be weak, deep blacks are missing.. but depending on the subject it can result in a real fake (painted) aquarell.
On the other hand there are many coated fine art inkjet papers which have also very nice textured surfaces. Some seems to be a bit pricey, to say at the least..
Regarding longevity some very general findings: pigment ink is more stable than dye, and 3rd party pigment ink is way more stable than 3rd party dye. Because 3rd party dye ink use to fall behind OEM dye more than 3rd party pigment. But there is at least one dye ink which comes very close to epson's dye: the fuji DL ink in large cartridges for DryLabs, extensively tested in the quoted extensive thread.
And you beautiful illustrations are showing, what I know from my own experience: printing on uncoated paper (wthout inkjet coating), can be really nice. And pigment is not better than dye on such paper, in fact the paper choice is easier with dye ink. You have to experiment with different watercolor art papers, jtoolman once used an uncoated sort from canson, i found a watercolor paper from "boesner" (guardi artistico 250g, very stiff, too stiff for some standard paper feeds..)
With uncoated (art-) paper you will not have the full resolution and the contrast can be weak, deep blacks are missing.. but depending on the subject it can result in a real fake (painted) aquarell.
On the other hand there are many coated fine art inkjet papers which have also very nice textured surfaces. Some seems to be a bit pricey, to say at the least..