- Joined
- Jan 18, 2010
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- 15,790
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- Location
- Residing in Wicklow Ireland
- Printer Model
- Canon/3D, CR-10, CR-10S, KP-3
Here is a sample print I did using separate Matte and Photo black ink settings on Sihl Glossy paper from Aldi, and I used a Pro 9500 for each.
The two samples on the left were scanned in colour and the other two were scanned in Greyscale, this was done to show and not to hide the way that the black tints changed slightly between the Matte and Photo black inks.
This is just to demonstrate how you can use one black or the other to achieve the desired effect you want from your prints, it could be your own personal choice or signature.
It cant be seen on these two samples but the Photo black has less bronzing than the Matte black has and despite that there’s no differences looking at them head on, both are completely 100% black.
An overprint of Glop and the bronzing was almost totally eliminated on both prints and the Matte black showed no reflection at all it remained Matte and looked quite distinctive, and it’s better to wait 24 hours if you wish to use Glop.
Both samples were printed with no profiling added and the printer was handling the colour output, only the Media setting were changed from Plain to Photo paper, I didn’t bother to swap the cartridges on this occasion.
The one thing that has to be remembered is that these samples were reproduced using more than 95% colour coverage and very little black at all and were not coloured managed or printed in greyscale, and neither black nor grey are ever used as a colour on their own..
The two samples on the left were scanned in colour and the other two were scanned in Greyscale, this was done to show and not to hide the way that the black tints changed slightly between the Matte and Photo black inks.
This is just to demonstrate how you can use one black or the other to achieve the desired effect you want from your prints, it could be your own personal choice or signature.
It cant be seen on these two samples but the Photo black has less bronzing than the Matte black has and despite that there’s no differences looking at them head on, both are completely 100% black.
An overprint of Glop and the bronzing was almost totally eliminated on both prints and the Matte black showed no reflection at all it remained Matte and looked quite distinctive, and it’s better to wait 24 hours if you wish to use Glop.
Both samples were printed with no profiling added and the printer was handling the colour output, only the Media setting were changed from Plain to Photo paper, I didn’t bother to swap the cartridges on this occasion.
The one thing that has to be remembered is that these samples were reproduced using more than 95% colour coverage and very little black at all and were not coloured managed or printed in greyscale, and neither black nor grey are ever used as a colour on their own..