The issue is that the diluant ratio for the lighter blacks is higher and this diluant is more volatile and possibly in this case has a shift in surface tension that causes the meniscus on the nozzle printhead to break down faster and more frequent. This breakdown or tearing of the liquid film allows air to enter each time it occurs. The ingested air slowly builds up inside the printhead to the upper regions and in this case builds up to the point that it causes a bad nozzle check. So to clear and flush out the air a head cleaning must be performed. On the R800/1800/2400 printheads and similar wide format machines in that era, a similar problem exists but to a larger degree. If the buildup is low, a good nozzle check can be had and good printing can happen. The suddenly if the ink useage is drawn out enough that the inks cannot get past the air trapped in the printhead, the air moves down into the nozzle chambers and you will get banding. Each time a head cleaning or reprime on these machines is performed it performs a heavy draw of ink, and this is the reason why you get bad nozzle checks with each change in cartridges.
Read the above carefully, I explained this phenomena many times but it seems not to be understood what is going on with Epsons. Meniscus breakdown is a real issue for Epson. This has led to smaller nozzle exits, higher density piezo material, Teflon coated undersides ( PTFE) and to this point, listening to the nozzle chamber using the piezo material in reverse like a microphone. (Piezo material can both generate voltage with forced displacement like a microphone as well as create displacement like a transducer under a forced voltage ( transducer and printhead and ultrasonic humidifiers). This is one reason why Epsons are finicky about humidity and needs frequent use to both minimize buildup and flush out the air even during printing.
When you see an Epson printhead have an AMC head, it stands for Advanced Menicus Control. Each time a droplet is released or ejected the pool of ink at the tip of the nozzles bounces up and down like a trampoline or drum would after the ejection. Now if you try and eject a droplet of ink when it is moving in one direction, it will be different if it is already moving in the opposite direction, you're working against the bounce. To get consistent droplets, you want the ink to be relatively calm. So how do you get what looks like a small pool of liquid bouncing up and down to settle down quicker than it normally would? You put in anti resonant modes to settle it down quickly, so what they do is activate the nozzle at certain frequencies to dissipate the energy. Incredible technology on the better models.