AvErps
Print Lurker
- Joined
- Feb 25, 2025
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- Printer Model
- Canon Pixma Pro 100s
Hey everyone,
I’m looking for some advice on printing for a mixed media project. A big part of my creative process is post-production—I love getting into the flow of editing, tweaking, and transforming images. To take that further, I recently bought a second-hand Canon Pixma Pro 100s with the idea of printing my photos and then hand-painting over them with watercolors. The idea is to create a hybrid of photography and painting, something akin to hand-tinted silver gelatin prints but in a digital workflow.
The problem: my first test prints on basic (no-brand) watercolor paper looked terrible—blurry, splotchy, just awful. However, when I printed on glossy photo paper, the quality was great, so I know the printer itself is fine. I’ve ordered some budget-coated paper (Ilford Gallery Matte Duo), but quite sure the ink would smear so I’d love to get some insight before throwing more money into experimentation.
From my research, I’ve come across several possible solutions, but I’m not sure which route makes the most sense given my technical knowledge (limited) and budget (also limited):
Thanks in advance for any help!
I’m looking for some advice on printing for a mixed media project. A big part of my creative process is post-production—I love getting into the flow of editing, tweaking, and transforming images. To take that further, I recently bought a second-hand Canon Pixma Pro 100s with the idea of printing my photos and then hand-painting over them with watercolors. The idea is to create a hybrid of photography and painting, something akin to hand-tinted silver gelatin prints but in a digital workflow.
The problem: my first test prints on basic (no-brand) watercolor paper looked terrible—blurry, splotchy, just awful. However, when I printed on glossy photo paper, the quality was great, so I know the printer itself is fine. I’ve ordered some budget-coated paper (Ilford Gallery Matte Duo), but quite sure the ink would smear so I’d love to get some insight before throwing more money into experimentation.
From my research, I’ve come across several possible solutions, but I’m not sure which route makes the most sense given my technical knowledge (limited) and budget (also limited):
- Pigment ink vs. dye ink: I’ve read that pigment ink works better for this kind of mixed media approach, but the Pixma Pro 100s uses dye ink. Am I fighting a losing battle here?
- RIP software & inkload adjustments: Some posts mention using a RIP (Raster Image Processor) to modify the inkload when printing on watercolor paper. I have no idea what this means or how to do it—any Mac-compatible tutorials out there?
- Carbon ink conversion: I’ve seen people modify printers to use carbon inks, but this sounds expensive and irreversible. Has anyone tried this for a similar purpose?
- Printable coatings: I’ve read online about different coatings that allow inkjet printing on uncoated watercolor paper—albumen, gelatin, InkAid, Ilford Gallery Blend A. Maybe this can be applied AFTER the inkjet print and BEFORE the watercolour? Has anyone had success with these?
Thanks in advance for any help!